So I'm traipsing about the internet, a jaunty tune in my brain, when I stumble upon an interesting site. It's called TIFFreviews, and it seems to be an interesting attempt to compile all of this year's film selections in an easy-to-follow format (Well, easier than mine, I suppose). Most intriguing to me is the section in the column on the right of the page, listing unconfirmed TIFF selections. I happily scan, eager to soak in the latest rumors, when...wait one second...In the Name of the King? A Dungeon Seige movie? That's a computer game, isn't it? Hmm...Something about this sounds very familiar....
...
...
...
Oh. My. God.
A Uwe Boll film? At a film festival whose name doesn't include the words 'trash', 'bad' or 'turkey'? I know they had Saw a couple years ago and the Midnight Madness category is pretty free-range, but...UWE BOLL!? The only way this is gonna work is if they include a post-screening boxing match with Dr. Boll vs. some lucky audience member.
Hmm...actually, that sounds pretty good. Please disregard the post above. If you'll excuse me, I've got some training to do...
Wednesday, July 12, 2006
Tuesday, July 11, 2006
More Titles Announced
Another seven titles were announced today. All are Spanish-language films seeing their North American or International premieres in Toronto. They are:
- The Dog Pound (Manuel Nieto Nas)
- DarkBlueAlmostBlack (Daniel Sanchez)
- The Silly Age (Pavel Giroud)
- August's Days (Marc Recha)
- Fantasma (Lisandro Alonso)
- Pan's Labyrinth (Guillermo del Toro)
- Glue - A Teenage Story in the Middle of Nowhere (Alexis dos Santos)
Monday, July 10, 2006
Nightmare in Toronto (or, How I Finally Got My @&!% Tickets)
10:00 AM. I eagerly open the laptop and log on to the TIFF website. There's a cup of coffee to my right. A Visa card to my left. I'm in the zone, ready to make a ridiculously expensive purchase. Everything's good, I say to myself. Everything's good.
And that's when everything went to hell.
Buying tickets for a major film festival is probably always an ordeal, especially the first day the box-office opens. But this one was an absolute disaster. Every year, the TIFF phone lines jam like clockwork once 10:00 rolls around, but the online shopping usually works with only some minor hitches (or at least it did last year). But at some time in the first hour, the server went down. Completely. Which left the ridiculously log-jammed phone lines the only way to purchase tickets.
I'm sure most of the people reading this already know all of this, since they probably experienced similar obstacles today. That's why I want to leave this with a question:
What the hell happened? How does an organization as well-funded and high-profile as this continually screw up one of the most important parts of the film festival experience? This isn't just a server problem and a poorly tested web store. It's a consistent neglect on the part of the TIFF group and it's not getting any better. For example, last year's TIFF had a single location for purchasing and exchanging tickets and they had only five or six stations active at any given time. Considering that hundreds of people were using their services at any given time, would it have killed them to open another location (as they're wisely doing this year)?
Honestly, it's not as though this is that big a deal--something I can say now that the tickets are confirmed, natch--but if this is any indication of the level of service we can expect this year, we're all in for a bumpy ride.
And that's when everything went to hell.
Buying tickets for a major film festival is probably always an ordeal, especially the first day the box-office opens. But this one was an absolute disaster. Every year, the TIFF phone lines jam like clockwork once 10:00 rolls around, but the online shopping usually works with only some minor hitches (or at least it did last year). But at some time in the first hour, the server went down. Completely. Which left the ridiculously log-jammed phone lines the only way to purchase tickets.
I'm sure most of the people reading this already know all of this, since they probably experienced similar obstacles today. That's why I want to leave this with a question:
What the hell happened? How does an organization as well-funded and high-profile as this continually screw up one of the most important parts of the film festival experience? This isn't just a server problem and a poorly tested web store. It's a consistent neglect on the part of the TIFF group and it's not getting any better. For example, last year's TIFF had a single location for purchasing and exchanging tickets and they had only five or six stations active at any given time. Considering that hundreds of people were using their services at any given time, would it have killed them to open another location (as they're wisely doing this year)?
Honestly, it's not as though this is that big a deal--something I can say now that the tickets are confirmed, natch--but if this is any indication of the level of service we can expect this year, we're all in for a bumpy ride.
Sunday, July 09, 2006
Catching Up: The Movies
The following are the first 31 films to be announced for TIFF so far. Each film either links to the film's website or its IMDB page:
- The Journals of Knud Rasmussen (Zacharias Kunuk and Norman Cohn)
- Babel (Alejandro Gonzalez Innaritu)
- The Wind That Shakes the Barley (Ken Loach)
- The Caiman (Nanni Moretti)
- Lights in the Dusk (Aki Kaurismaki)
- These Girls (Tahani Rached)
- Bliss (Sheng Zhimin)
- Reprise (Joachim Trier)
- Flandres (Bruno Dumont)
- Big Bang Love, Juvenile A (Takashi Miike)
- Ten Canoes (Rolf de Heer)
- Taxidermia (Gyorgy Palfi)
- Bamako (Abderrahmane Sissako)
- Time (Kim Ki-Duk)
- Red Road (Andrea Arnold)
- 12:08 East of Bucharest (Corneliu Porumboiu)
- Jindabyne (Ray Lawrence)
- Invisible Waves (Pen-ek Ratanaruang)
- To Get to Heaven First You Have to Die (Djamshed Usmonov)
- White Palms (Szabolcs Hajdu)
- Summer Palace (Lou Ye)
- Summer '04 (Stefan Krohmer)
- The Bothersome Man (Jens Lien)
- Retrieval (Slawomir Fabicki)
- Cronica de Una Fuga (Israel Adrian Caetano)
- Slumming (Michael Glawogger)
- Shortbus (John Cameron Mitchell)
- All the King's Men (Steven Zaillian)
- Bernard and Doris (Bob Balaban)
- The Pleasure of Your Company (Michael Ian Black)
- Copying Beethoven (Agnieszka Holland)
Catching Up: The Website
The TIFF website went live sometime last week and is chock full of useful, necessary information. If you haven't gone, get thee hence, immediately.
Last year, I found the most important sections to be the news releases and the box-office. The first will keep you abreast of the latest film announcements, while the second lets you know exactly how badly you're gonna get screwed by the festival.
The whole thing is invaluable, so give it a go. I'll wait for ya.
Last year, I found the most important sections to be the news releases and the box-office. The first will keep you abreast of the latest film announcements, while the second lets you know exactly how badly you're gonna get screwed by the festival.
The whole thing is invaluable, so give it a go. I'll wait for ya.
Toronto Website 3.0
Well, giant eels didnt' invade, though you wouldn't know it from the gap between posts. Holy crap, has it really been a month?
I won't go into the details of my absence. Let's just say giant eels have nothing on real-life. Stay tuned for many, many posts as I vainly attempt to catch up.
I won't go into the details of my absence. Let's just say giant eels have nothing on real-life. Stay tuned for many, many posts as I vainly attempt to catch up.
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